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Fonts

Typography is more than just words on a page; it is a fundamental element that weaves through the fabric of our brand identity. Our carefully chosen fonts are the silent ambassadors of our message, offering a consistent and recognizable voice across all our communications.

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Beyond conveying information, our font embodies the essence of our brand – a harmonious blend of cleanliness, modernity, and professionalism. In this section, we explore not just the typefaces we use, but the principles that guide their application, ensuring a seamless and impactful representation of our brand in every interaction.

Our typography system is designed for versatility, offering fluid guidelines adaptable to diverse mediums; each channel possesses distinct specifications, tailored from our overarching system for a cohesive yet tailored brand representation.

Simplon

Our primary pallet builds the bulk of our creative and should represent the strongest hues across any piece.

Norm

The Norm sub-family is our primary font and comes in 8 weights.

Mono

While there is a full set of mono characters it is only used for numbers sparingly.


Roboto

Roboto is used in instances where Simplon cannot. If a system typeface is absolutely necessary or required, Roboto is an acceptable fallback.


Font Awesome Pro

accessibility. It's essential to note that this font is not a substitute for our dedicated icon systems; rather, it should be applied in situations where text-based solutions are necessary.

Utilize this page or the Font Awesome website to find and copy and paste icon characters easily.

Font Awesome Pro is packaged with a few different weights. We only use Regular or Solid and never light as these characters are only used at smaller size for tables and charts.

The font family comes with 100s of characters. Below the few that are approved for use in charts and tables.

Font Awesome Regular

Font Awesome Solid

Color


Usage & Application

Explore usage and application examples below, where we outline correct and incorrect ways to employ our font and typography system. In our design rhythm, content and typography collaborate like a well-coordinated dance. These rules guide how visual type and content design work together, ensuring they complement each other for a perfect blend of readability, aesthetics, and brand identity. Some visual challenges might be solved with content changes and some content challenges need visual solutions.

While you'll encounter conceptual guidance, exact specifications are intentionally absent due to the varied and dynamic nature of the mediums our brand encompasses. Departments, such as print or web design, establish their own specifications based on these guiding principles to align with the best practices of each medium.

Use our Simplon Norm Bold font weight at large sizes to help our heroic, powerful statements make a big impact.

Use our Simplon Norm Bold font weight at large sizes to help our heroic, powerful statements make a big impact.

Give large headlines plenty of clear space. Let the message speak for itself without being impeded by extraneous graphics or proximity to other content.

Large, bold impact statements should be tight; 3-5 words max. Punctuation can be used to created drama with a full stop or question. Punctuation and sentence casing should always be used together and not mismatched.

Sometimes we need to make a powerful statement that isn’t 3-5 words. Use the regular weight font but keep the large size, spacing and punctuation and casing rules.

Headlines and impact statements are a large size and require a tighter line height than body copy. 100% relative line height to font size is recommended but can be tweaked per medium. Just avoid stretching line height and compressing line height to point of descenders and ascenders touching on impact text.

Headlines and impact statements are a large size and require a tighter line height than body copy. 100% relative line height to font size is recommended but can be tweaked per medium. Just avoid stretching line height and compressing line height to point of descenders and ascenders touching on impact text.

Don’t use our bold weight at smaller sizes as it as some legibility problems as it gets smaller. We do need to keep a high level of contrast and order to the content so use size, color and weight to make the page comfortable to read.

Don’t use the impact treatment to state the obvious. Use overlines, sub-headlines or proximity to keep these blocks in context.

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Hierarchy is Important

Everything can’t be the most important thing. Use typography to guide the user and make the piece a quick scan or comfortable deep dive.

Sub-headlines Are Quick to Read & Scan

Don’t try to say to much in a sub-headline similar to a headline. Give the user that carrot or breadcrumb to read more if they choose to. Use the headlines across the piece as the mile markers in the story. If the user scrolls the entire page or scans a page and only reads the headlines will they understand the basic premise of the story? Can they quickly find what matters to them?

Sub-headlines should follow the same punctuation and casing rules as main headlines.

There are going to be instances where you need to make secondary or nested statement. Use the same principles for these sub-headlines. Just like larger impact statements use color, weight and size to create enough contrast and hierarchy in your piece. Not just because it looks nice but because it’s easier to read too.

Hierarchy Matters

Use all the tools in the brand toolbox to make the story shine.

Combining different weights with different sizes creates more definition without having to make the differences so drastic that the piece becomes messy and unprofessional. Try to match up font sizes and only change the weight. Or match up the weights and change the sizes. Generally speaking, 5 font -weight -color
-size variations is the most any one page, sheet or slide should have.
4x = 64px

Clean type shows our expertise.

50% = 8px
Be mindful of your spacing to ensure a final polish.
2x = 32px
We always strive for pixel perfect design. This means attention to the details. To keep space clean, hierarchal and easy to manage keep your font sizes and spacing relative. Use clean units of measure to create your type lockups. Often we use 16pt font as our baseline and use multiples of that size to build the spacing of our lockups.
120% of 16pt ~ 19px
Paragraph breaks should be relative to the font size of the body copy vs lockup grid dimensions. We try to always utilize 120% paragraph breaks to give enough space to create definition but not create so much it breaks larger than the overall lockup grid. To give our content breathing room try going extra large on the spacing between major sections.
2x = 32px
Quick List of Body Type Recommendations:
50% = 8px
  • Line Height – Line height may vary and will need to for specific mediums. For body type to be approachable and also comfortable and legible start with 130% and never larger than 155% of your font size. Caption text might be tighter but body type should never be tighter than 100%. A technical piece may require a significant amount of content in a confined space while a marketing piece should always lean towards clear and open vs content overload.
  • Paragraph Height – Similar as above, you will need to ensure this works for the content and medium. That being said shoot for between 100% and 140% of your font size.
  • Inline Styling – Inline styling can add a punch of emphasis or focus within a larger body of text. Use these techniques sparingly and try to only emphasize the key few words.

If we need to highlight an entire thought or sentence try to break to a new line entirely.

Avoid using underline. In digital technology this type technique has become synonymous with links. For links try to use weight and color without underline so they don’t look dated. When working with URL addresses in print or non-interactive mediums, list the full url as a footnote or in parentheses in context to where the digital link text would appear.
4x = 64px

Use type color to create a comfortable reading experience and use color evoke action. Never use an action color as a headline. Reserve our Blue for action and links and avoid using for static type. Be sure to review the following accessibility guidelines for proper type contrast requirements.


Accessibility

To ensure as many of our customers as possible have a consistent experience we always want to remain as accessible as possible. One way we can do that is by adhering to WCAG 2.1 guidelines for contrast ratios for text.

Below you’ll see the minimum acceptable contrast ratio for our primary pallets as background colors. Overlaid will show different acceptable text colors from our pallet. By “minimum” we mean we identify the lightest text on the lighter backgrounds that can be used to meet AAA standards. This color including any darker in the shade group can be used. And vice versa for dark backgrounds and going lighter in text.

Please note if the text color is shown in a bold weight it will only reach AA standards and should be avoided at small, light font weight applications.

We’re only showing recommended text colors. Purple, orange, yellow and teal accents are not recommended for text.

Neutrals

Your text can go darker than any of the shades called out below.

Navy

Your text can go lighter than any of the shades called out below.

Blue

Your text can go lighter or darker than any of the shades called out below depending on which half of the pallet we’re using.